BMA Malaya $5 - Lin Yangchen
  • BMA Malaya $5

©Lin Yangchen


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The highest value of the coconut definitive also took the hardest fall from glory when the war ended. Whether misaligned portraits, damaged plates, defective ink, forgery or a demotion to middle-class colours, the $5 has it all.

To begin with, there were fewer than 12,000 copies left of the old $5 on green paper (Cockburn 1998), not a large number by the standards of mass-production definitive stamps. In July 2016, a complete sheet sold at Murray Payne for £9,250. The presentation pack distributed at the Paris Universal Postal Union Congress in 1947 excluded it (Chua 1988). The denomination was of sufficient value to exchange for rice and cigarettes (Cockburn 1998).

French philatelic forgeries are known, where fake BMA overprints were added to used unoverprinted $5 stamps (Cockburn 1998), which were of much lower value. Forgeries have also been reported by Wells (1963), Murray Payne (1996), French (2000) and Elliot & McClellan (2001).

FORGERY
This forgery of the overprint, of which the author has seen another copy, is plagued not only by terrible print quality and distorted letters with blunt vertices, but also by incriminating box outlines around the letters that may be the edges of individual dies and/or blocks. Two other forms of the forgery are described by Gibbons Stamp Monthly (1948), one similar to this and the other seemingly cut by hand. Here the postmark is most likely fake as well.


Magnification of the above.

The $5 later took on a new but short-lived colour scheme inherited, perhaps conveniently, from the pre-war 30c which was now no longer in use. Along with the $1 now printed on white paper, it also heralded the end of a glorious era of opulent coloured papers as the world descended into austerity after the war. Cockburn (2010) documents a horizontal strip of three specimen stamps with the middle one missing the SPECIMEN perfin.

A major biaxial plate shift, the vignette touching the horizontal bar below 'MALAYA' and leaving gaping white spaces both below and to the left of the oval, showing the dismal quality control during the BMA period. The author has also seen a case of the bottom of the vignette shifted all the way down to the bottom of the soil.

The only known example of a retouched coconut definitive, discovered by Dickon Pollard (pers. comm.). A large patch of missing hair at the top of the head has been painted in by hand apparently using the same ink. Post-war paper shortages likely necessitated this expedient. For discussion on how one-of-a-kind items are authenticated by circumstantial evidence, see Gregory (2006).

Magnification of the hand-painted retouch showing the oblique brush strokes. The plate damage was quite extensive and the repair sufficed to make the stamp presentable if not true to detail.

A less common variant of the new $5, with lighter duty plate and more vivid but 'friable' key plate. This example, with its crease and four-corner postmarks, exudes a time-worn beauty.

References


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